Charisse Loriaux is a first-generation theatre and teaching artist based in the San Francisco Bay Area, born of a multiracial heritage. Her work is anchored in a deep commitment to equity and ensemble, cultivating spaces of belonging where performance becomes a catalyst for connection, reflection, and transformation. A proud graduate of San José State University, she regards theatre as a sanctuary, a place where voices converge, identities are honored, and stories are shared with deep care and creativity. Her artistic practice is guided by reverence for community, a love of language, and a belief in storytelling’s power to inspire empathy and ignite meaningful dialogue. (Click photo to view headshot and resume)

Work/Shoot by Matt Morishige
Directed by Ciera Eis
Playground SF, 2025

Othello by William Shakespeare
Directed by Kenneth Kelleher
San Jose Stage, 2023

Eureka Day by
Directed by Josh Costello
Aurora Theatre World Premiere 2018

Non-Player Character by Walt McGough
Directed by Lauren English
San Francisco Playhouse Sandbox Series,
World Premiere, 2018

You Mean To Do Me Harm by Christoper Chen
Directed by Bill English
San Francisco Playhouse Sandbox Series
World Premiere, 2017

Dogeaters by Jessica Hagedorn
Directed by Loretta Greco
Magic Theatre, 2016
![Charisse Loriaux (Guan Yin) & Alexander M. Lydon (Monkey King) in 410[GONE] at Crowded Fire](http://img1.wsimg.com/isteam/ip/static/transparent_placeholder.png/:/rs=w:388)
410[Gone] by Frances Ya-Chu Cowhig
Directed by Evren Odcikin
Crowded Fire Theatre World Premiere, 2013

100 Flowers Project by Christoper Chen
Directed by Desdemona Chiang
Crowded Fire Theatre World Premiere, 2012
Charisse Loriaux is a Bay Area actor, teaching artist, and arts advocate whose work is grounded in a steadfast commitment to inclusion, collaboration, and amplifying every voice. Her teaching artistry journey began at the Oregon Shakespeare Festival School Visit Program, where she first felt the pulse of community-rooted storytelling. She later joined the Red Ladder Theatre Program, engaging under-resourced populations through improvisational techniques that foster confidence, communication, and essential life skills. For many students, her work has offered a first, and sometimes only, encounter with live theatre
and Shakespeare in performance.
For over two decades, Charisse has been a creative force in designing and delivering award-winning, arts-based programming that centers holistic health - mind, body, and spirit, across educational and workplace settings. Her early work included a decade of touring Northern California with Kaiser Permanente Educational Theatre, bringing arts education and the magic of live performance to thousands of students across diverse socio-economic communities. Driven by a mission to enhance youth well-being and cultivate a culture of care, Charisse has created and directed original works that explore mental health, resilience, and emotional literacy including the Resilience Squad, a four-part workshop series on stress management, healthy communication, mindfulness, and boundaries and Ghosted, a high school program focused on suicide prevention and
mental health and wellness.
Her practice has also been shaped by her time with The Marsh Youth Theatre, where she deepened her commitment to youth-centered, ensemble-driven work. In recent years, Charisse’s focus has expanded to workforce engagement, where she introduces resilience tools to help curb burnout and promote boundary setting for a more balanced and joy-filled work life. As a seasoned facilitator and performer, she partners with diverse communities to lead trauma-informed, heart-centered workshops that nurture connection and creative expression.

Charisse worked closely with Richard MacDonald on the monument, the Grand Coda moving through poses with quiet endurance, capturing the natural cadence of the human form. In a focused exchange of gesture and gaze, MacDonald sculpted with intensity, his eyes shifting between living body and clay, ensuring each curve held breath, each line held life.

MacDonald skillfully captured both delicate, archetypal femininity and powerful, athletic masculinity. These dualities intertwine the softness and grace of the female form merging with the strength and energy of the male form. Charisse’s embodiment of these qualities was instrumental in shaping the sculpture’s dynamic movement, which lends the piece an ethereal sense of flight.

This work celebrates love and devotion, with Charisse’s presence infusing it with authenticity and emotional depth. Her presence and interpretive posing enriched the work’s emotional layers, creating a living dialogue between artist, model, and sculpture. They shaped a living sculpture, where breath and devotion are etched into bronze.
HOUSE OF JOY
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